There is, however,
much more about law in the novel. Their Eyes Were Watching God is,
in large measure, a book about laws, rules and norms. It is a book about
the way that social regulatory regimes shape society. It is a book about
the way that law is and is not created. There is a very apt quote about
this in chapter 5 of the book where the author writes, in describing the town's
feeling about Joe Starks, its self-appointed, well-to-do mayor: “The
town had a basketful of feelings good and bad about Joe's position and
possessions, but none had the temerity to challenge him. They bowed down to him
rather, because he was all of these things, and then again he was all of these
things because the town bowed down." If allusions to Joe are replaced with
the word law, then we can get a very clear sense of how norms, whether
formal or informal, work, both within the novel and outside of
it. This is because even formal law is often said to be
organic—it is molded and remolded at regular intervals, even if that re-molding
is slow. More importantly, we reflect those changes back into the face of
law. Law can't happen if we turn away. To a great extent, law is only law
because we allow it to be. That we allow law to be speaks much about our vision
for ourselves and for our world.
Monday, September 19, 2011
Their Eyes Were Watching God as a “Legal” Novel
The discussion on Dee
Perry's Around Noon today was Zora Neal Hurston’s Their Eyes Were
Watching God. You can hear all of the show at the link
above. The book is a timeless classic that, in broad brush summary, is about hierarchy and race, gender and class. The novel begins
where it ends, and ends where it begins, telling the story of Janie
Crawford and her journey from late girlhood to womanhood. It is often
read in literature courses and especially in African-American literature
courses. It combines its gritty realism, black dialect and lofty poetic
language to depict the black South of over 70 years ago. It is not
typically thought of as a legal novel. There is, of course, chapter 19,
which depicts Janie’s trial for murder. But that chapter seemingly stands alone
in offering explicit language about law.
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